Wednesday, March 20, 2019
William Shakespeares Antony and Cleopatra Essay -- Shakespeare Antony
William Shakespeares Antony and CleopatraHeaven help the American-born boy with a talent for ballet Camille Paglia The prim and proper women and the strong and strapping men are no match for Shakespeares haze of characters muddled unitedly in Antony and Cleopatra. As al expressions Shakespeare delivers a luminary cast of individuals that twist from the socially accepted gender roles. As the audience works its way through the fierce genesis to the catastrophic resolution, it is do much than probable that lines are being crossed all over societys conformist board of gender specific expectations. The character that was most amplified in this context was the stunning Cleopatra. Less like a lady and more like a warrior, the audience was witness to this Egyptian queen get her cameo with a barrage of games she endlessly threw Antonys way in a sly attempt to win his affections. Nay, pray you seek no colorise for your going, but bid farewell and go (1.3.33-34). Cleo patra occasionally showed signs of her young-bearing(prenominal) incline through bouts of the play however the majority of her presence was swarming with an aura of resiliency and strength. Other characters even mentioned her with such traits in mind for example, Caesar proclaimed Lepidus is non more manlike than Cleopatra (1.3.5-6). Her strength was defined most in her sweetheart she makes hungry where most she satisfies for vildest things become themselves in her (2.2.236-237). However, it was also present in her behavior. Cleopatra was a meek woman by no means. She stood up for the things she believed in. When upset, she presented her shrewish side. Hence, Horrible Villian, or Ill spurn thine eyes like balls onwards me Ill unhair thy head,... ...e 6, Enobarbus and Menas vocally agreed upon the lying and seduction methods of the female population. In Act 3, Scene 12, Caesar prattled on about the inherently weaker side of women. In some cases it was even considered an insult that the men might be compared to women. For shame, transmute us not to women (4.2.35). In Antony and Cleopatra, the important point one essential recognize is not the battles present both in love and war, but the toe that is continuously slide across the line which Shakespeare always matte up inclined to cross. There were no prototypical male or female protagonists in Shakespeares world. It is a factor that should always be acknowledge when stewing over this brilliant playwrights work. Boundaries were meant to be crossed, and Shakespeare made his belief just as apparent in the sloshing of gender roles in Antony and Cleopatra.