The Struggle for Identity in A Doll’s House :: A Doll’s House

The Struggle for Identity in A Dolls House A Dolls House by Henrik Ibsen, is a hightail it that was written ahead of its time. In this play Ibsen tackles womens rights as a matter of importance. end-to-end this time period it was neglected. A Dolls House was written during the movement of Naturalism, which comm further reflected society. Ibsen acknowledges the fact that in 19th century life the division of the fair sex was to stay at home, raise the children and attend to her husband. Nora Helmer is the character in A Doll House who plays the 19th woman and is portrayed as a victim. Michael Meyers said of Henrik Ibsens plays The common denominator in umpteen of Ibsens dramas is his interest in individuals essay for and honest identity in the face of tyrannical social conventions. This contravention often results in his characters being divided between a superstar of duty to themselves and their responsibility to others.(1563) All of the aspects of this quote can be empl oy to the play A Doll House, in Nora Helmers character, who throughout much of the play is oppressed, presents an inauthentic identity to the audience and throughout the play attempts to discovery her authentic identity. The inferior role of Nora is extremely important to her character. Nora is oppressed by a variety of tyrannical social conventions. Ibsen in his A Dolls House depicts the role of women as subordinate in order to emphasize their role in society. Nora is oppressed by the manipulation from Torvald. Torvald has a very typical race with society. He is a smug bank manager. With his job arrive many responsibilities. He often treats his wife as if she is one of these responsibilities. Torvald is very domineering and puts his appearance, both social and physical, ahead of his wife that he supposedly loves. Torvald is a man that is worried about his reputation, and cares little about his wifes feelings. Nora and Torvalds relationship, on the remote appears to be a happy. Nora is treated like a child in this relationship, but as the play progresses she begins to realize how phony her marriage is. Torvald sees Noras only role as being the subservient and loving wife. He refers to Nora as my little squirrel (p.1565), my little lark (p.1565), or spendthrift(1565). To him, she is only a possession. Torvald calls Nora by pet-names and speaks down to her because he thinks that she is non intelligent and that she can not think on her own.